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Ever since reading My Best Friend’s Exorcism, Mr. Hendrix has struck a chord in my mind. So as I was going through the list of books to select to purchase for my branch, I came across We Sold Our Souls. Needless to say, I gave it the green light because I am curious to see what delightful ditties this bloke is offering up in this new yarn. Spoiler alert: he did not disappoint. But enough with pleasantries and usual bollocks, and let’s get on with it. Yeah?

All Kris Pulaski ever wanted to do was to play good rock music. Fame and riches were all extras. So back in the 90s (ah yes … flannel, grunge rock, Tamagochi pets, dial-up AOL internet), she was part of ragtag metal band called Dürt Würk and she was living her dream. Then along the way, she and lead singer, Terry Hunt, combined talent and wrote a masterpiece called Troglodyte. And then the shit (slightly) hit the fan. Terry Hunt along with their manager, Rob Anthony, pulled the rug from under the enter party by buying out the rights to Dürt Würk’s music and contracting out all the other members of the band. It was the night (known as Contract Night) that Dürt Würk died and Koffin was born. The funny thing about that is that there is a lot of missing pieces and hours about what happened that night Kris and most of the members of the group can’t seem to recall. So now Kris spends her days at a reception desk at the local Westin Inn as she constantly tangles with the one guest that likes to stroll around, during the early morning hours, naked with a paper bag over his head and urinating in the lobby. How the far the mighty has fallen, since Kris can no longer play rock music since the “contract” forbids her from playing Dürt Würk-type music (translation: she is forbidden to make a living playing rock music). And then Koffin announces its major tour, which not only irritates the hell out of Kris but forces her to reunite with the remaining (exiled) members of Dürt Würk. And then the shit really hits the fan … and things get darker. And for some of us, switching on the lights might be in order. There are murderous assassins driving around in UPS trucks, brainwashing spas, traitorous fans, some otherworldly hellish creatures (which might include the manager) haunting the night, and a conspiracy that is spawned from the depths of Hell itself (literally). On second thought some of these creatures might be from Hell (feel free to imagine Bruce Dickinson from Iron Maiden screaming this word for a better visual). And all are clamouring to get between Kris and her vengeful mission against Terry Hunt and his new band, Koffin.

Hendrix’s Souls is possibly one of his darkest to boot with enough hibby-jibbies to go around possibly till the next major election. Of course, there is a bit of (deserving) commentary on the late 90s “nu-metal” scene. Yes, we all remember that pile of buggering bollocks (though try as we may to forget it). Aye, as grunge faded into the horizon along came that hybrid abomination of rap and rock merged into (and I vomit into my mouth as I write this) nu-metal. Of course, back then the wanks that touted this rap-rock/nu-metal crap as “new” and “happening” forgot that folks like Faith No More, Red Hot Chili Peppers and Fishbone (to name a few) had already pioneered that “hybrid” minus the constant whining about not getting laid and other such bollocks. Oh there, there. I think I’ve detoured a wee bit. Souls waste very little effort in sinking its claws into you and drawing you in, and then you find yourself in for quite a ride. And what a ride it is as you get towards the end. The ending reminds of scene from an obscure 80s, heavy-metal themed, adult, animated movie (from Canada,of all places) named Rock and Rule (check it out on Youtube and it features voices of Deborah Harry and Iggy Pop). It may not be your cup of tea, but back in Guyana, there was only one channel on the telly and this was on. So there. Funny thing about Souls is that I kept picturing Joan Jett in the role of Kris Pulaski. Don’t know why … though I might have to do with the fact that Joan Jett played a receptionist at a motel (or was it a bartender???) in the movie adaptation of Stephen King’s Big Driver. Who knows, my brain is weird like that … but I love it. And I know it sounds strange to say but Souls feels like another heavy metal love letter to those of us who miss those days of flannel, spandex, leather and denim. And you can tell by the fact that Hendrix does this quirky thing of naming the chapters in his book with titles of various metal tracks (though there is no chapter with the title “Ride The Lightning”). Good show, Mr. Hendrix. Jolly good show, mate.

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